communicate your ideas to your reader. To make these links, use transitional expressions of comparison and contrast ( similarly, moreover, likewise, on the contrary, conversely, on the other hand ) and contrastive vocabulary (in the example below, Southerner/Northerner ). Your interpretation of the passages is the way in which you view the excerpts given to you. In a compare-and contrast, you also need to make links between A and B in the body of your essay if you want your paper to hold together. How did this situation arise? When you look at a text, observe how the author has arranged. "Classic" compare-and-contrast papers, in which you weight A and B equally, may be about two similar things that have crucial differences (two pesticides with different effects on the environment) or two similar things that have crucial differences, yet turn out to have surprising commonalities (two. Even when you read prose, our guide for reading poetry offers good advice: read with a pencil and make notes. A paper focusing on similarly aged forest stands in Maine and the Catskills will be set up differently from one comparing a new forest stand in the White Mountains with an old forest in the same region. These lines are almost singsong in meter and it is easy to imagine them set to a radio jingle.
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How did its "kindred spider" find the white flower, which was its perfect hiding place (11)? A white spider sitting on a white flower has killed a white moth. This heal-all is unusual. Examining the form of a text can help you develop a starting set of questions in your reading, which then may guide further questions stemming from even closer attention to the specific words the author chooses. But in a "lens" comparison, in which you spend significantly less time on A (the lens) than on B (the focal text you almost always organize text-by-text. We suggest you write your paper however is easiest for you then move things around during revision if you need.